Fans recognize Austin Gilliam as a guitar player. Maybe it’s his six-foot-five viking-esque stature. Or his nine-inch signature pin-up-girl tattoo. Or maybe it’s just that he’s a really, really good guitar player.
But fans of the americana/red dirt/alternative country scene know the media recognized more than three years ago: Austin Gilliam is a heckuva guitar player — but he’s a guitar player with a killer set of pipes.
Austin cut his teeth in the Americana scene playing lead guitar and singing harmony vocals with the Scott Wiggins Band. His guitar and vocal work on the band’s sophomore album, “Burn” (Adam Odor, Keith Davis) was critically acclaimed and the CD netted two of the Top 25 singles in 2009.
After departing the Wiggins Band, Austin played most notably with Drew Kennedy, Wes Nickson, and Javi Garcia and the Cold, Cold Ground before joining Matt King and the Cutters. The Cutters kicked off its emerging, national-touring presence with a stop in Nashville, where the band recorded “The Cutters” (Vance Powell) EP.
With a true passion for music, Austin is known to fill his schedule and often play as many as nine gigs a week — sometimes with as many as 10 different bands.
“I’ve taken influence from each project I’ve had the pleasure of being involved with and combined them the best way I know how. I continue to do that to this day,” Austin says.
While he is best known as a guitar player, his album credits and critical acclaim heavily reflect his vocal talent. Now Austin, with his band, The Politicians, looks forward to sharing his voice, his songs, and of course, his guitar playing, with you.
“One little known fact is that by 1850, and for many years afterward, European, most German, immigrants in San Antonio outnumbered both Mexicans and Anglos.” Texas Historian T. R. Ferenbach
Well, little known to whom? Not to those of us whose families date back to before Texas was a U.S. state. Want to know what is truly a “little known” fact? Texas Two-Step (in all it’s varieties), danced now for close to 200 years in Texas, and swing dancing, picked up by both black and white communities and danced throughout the South in its early years and now throughout the world, was derived from Czech and German dances. Texas dance hall culture is a German and Czech product, as is the large portions of our state that are family oriented. All of the famous dancehalls in Texas and those that have passed into the night with the arrival of more Anglos and other cultures, were Czech and German products.
Gruene Hall dates back to 1878. It was, like all halls of this type, a community center. Texas has retained it’s culture of serving liquor or beer with children present. Unlike other states that took on a strictly Anglo Protestant culture, barring children from houses of liquor and dance, Texas inherited a Czech and German view. Adults and children play together, so to speak. We’re family.
As anti-German sentiment increased with World War II, many Germans left or changed their names, stopped speaking German in schools or in public and German was banned from being taught in many municipalities in Texas. This had a detrimental effect on our communities, with many halls closing, one by one over the years and changing the face of our communities.
The German owners and strict German community are no more in Gruene. Purchased by Anglos, Gruene Hall is now a mausoleum, a museum and living breathing entity all rolled into one. It is a Texas treasure. It deserves preservation and use. Great Texas country and roots music is played at Gruene Hall. Support Texas music and history. Support Gruene Hall.
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